第一次看到林任菁的作品便有一种惊异之感,首先是她那幅《潮》,画的是福建画家和摄影家不断重复的对象——惠安女,任菁的工笔细描的工力相当深厚,其水准并不是许多年青画家都能达到的,更使我惊异的是幅面上五组惠女,不但抬石的姿态是相同的,而且其面侧的角度、表情、穿戴、服饰,甚至所使用的工具以及色彩都是相似的。这和我们欣赏达芬奇《最后的晚餐》,列宾《伏尔加河上的纤夫》甚至周昉的《簪花仕女图》顾闳 The first time I saw Lin’s works there was a sense of wonder. The first was her “tide,” which painted the constant repetitive objects of the painters and photographers of the Hui-An women and Ren Jing’s fine workmanship Rather deep, the standard is not many young artists can achieve, even more amazing to me is the picture of the five groups of Hui women, not only rock the same gesture, and the side of the angle, expression, wear, clothing, Even the tools and colors used are similar. This and we appreciate Leonardo da Vinci’s “Last Supper”, Repin “Volga on the Volga River” and even Zhou Zhi’s “lady flower figure” Gu 闳