陈献章在诗歌创作上崇尚诗句自然、诗为心说的观点。不太推崇对仗工整、格律严密的诗歌,认为过分工整的诗歌,所追求的多为诗歌形式上的美感,而非诗歌的内在含义。但这绝非否定诗人作任何艺术锤炼的努力。他的诗歌创作实践也说明了这一点。他的哲理诗在风格上具有一种自然平淡之美,用语平易自然,用词精炼传神,在平淡平实之中表达了丰富的哲学内涵。 Chen Xianzhang advocated the poetic nature of poetry, poetry as the heart’s point of view. Not respected the rebellion neat and tidy poetry, think overly neat poetry, the pursuit of mostly the aesthetic form of poetry, rather than the inherent meaning of poetry. But this in no way negates the poet’s efforts to make any artistic exercise. His poetry practice also illustrates this point. His philosophical poem has a style of natural dull beauty, the language is plain and natural, the word is refined and vivid, expressing rich philosophical connotations among the plain and plain.