厉慧良先生在为我导演《截江夺斗》的过程中,从文本编排、程式表演、场面调度、日常练功与内心启发等诸多方面着眼,使剧本更适于表演、唱念更贴近人物。指导演员通过内心戏、脸上戏和眼神运用提高表演功力,大大提升了戏的舞台表现力和观赏价值。既有传统戏的格局,又有创新的人物处理和动作设计;人物内心情感的准确把握,增强了人物的合理性与艺术性。在艺术观的体现和艺术手段的运用上对后学多有启发。 In his directing of “Capture the Fight of the Confederates”, Li Huiliang, from the aspects of text layout, program performance, scene scheduling, routine practice and inner inspiration, made the script more suitable for performing and singing more close to the characters. Guided the actors through the inner play, face play and eyes use to improve performance skills, greatly enhancing the performance of stage drama and ornamental value. Both the traditional pattern of play, but also innovative character handling and motion design; accurate grasp of the inner feelings of the characters, enhance the character’s rationality and artistic. In the embodiment of the artistic concept and the use of artistic means, there is more inspiration for later school.