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看到张海先生的《四体书创作自述》,使我想起怀素的《自叙帖》和沈尹默的《历代名家学书经验谈辑要释义》。怀素《自叙帖》不仅是经典的书法作品,而且也是怀素学书历程的重要文献。沈尹默撰写的《历代名家学书经验谈辑要释义》一文,把几个古代书家的学书经验进行梳理,以便后人从中得到启发。历代书家的学书经验本身就闪烁着智慧的火花,蕴含着深邃的思想,是技进乎道的学理总结。我无意将张海的《四体书创作自述》与二者加以比较,但该书确实有它的独到之处。
See Zhang Hai’s “four-character book creation readme”, reminds me of Huai Su’s “self-Syrian posts” and Shen Yinmo’s “famous history books to talk about the history of the series to explain.” Huai Su “Syria” is not only a classic calligraphy, but also an important document Huai Su school history. Shen Yinmo wrote “famous master’s book experience to explain the history of the line,” a text, the book of several ancient book learning experience to sort out, so future generations can be inspired. Scholarship books of ancient dynasties itself flash sparks of wisdom, implying deep thought, is a technical summary of the skill. I do not intend to compare Zhang’s “self-report of the four-character creation” with the two, but the book does have its unique features.