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紫禁城是一个巨大的空间的存在,一个巨大的空间意识形态的载体,它以巨大的体量,表明皇权对于天下的绝对占有。一个人,无论有着怎样的传奇履历,一旦进入紫禁城,就像一粒尘埃飘进沙漠,变得无足轻重,必须听从于宫殿在空间上的调遣—他的行走坐卧,必须遵守空间的法则;只有皇帝相反,因为只有他才是宫殿的主人,几乎可以不受限制地出现在任何场合,太和殿上的那把龙椅,使他成为所有视线的焦点,而不至于被巨大的空间所湮没。
The Forbidden City is a huge space for existence and a huge carrier of space ideology. It shows the absolute possession of the imperial power for the world by its enormous volume. No matter what kind of legendary resume it has, once it enters the Forbidden City, it is as if dust has drifted into the desert and becomes insignificant. It must be subordinated to the dispatch of the palace in space - his walking and lying must follow the rules of space; On the contrary, because the emperor was the only one who was the master of the palace, he could almost unrestrictedly appear on any occasion. The dragon chair on the temple of Taihe made him the focus of all sight without being obliterated by vast space.