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杜颖陶的戏曲研究,场上与文本并重,其对传统剧目相当熟稔,对戏曲本事、戏曲音韵、声腔剧种、舞台规制等的研究,均在近现代的戏曲研究史上占有一定地位。但由于其论著主要见于民国时期各种报刊,建国以来又一直乏人整理,学术影响力的延伸受到很大局限,以致逐渐冷落。论文广泛搜集杜颖陶的论著,为其戏曲研究著述辑目,并着重分析杜氏戏曲研究的学术路径,揭举其治学方法对当下的启示意义[1]。
Du Yingtao’s drama research, both on the field and the text, is quite familiar to the traditional repertoire. His research on the drama ability, the soundtracks of the opera, the phonetic opera and the stage regulation occupies a certain position in the history of modern Chinese opera. However, due to his treatise mainly seen in various newspapers and periodicals of the Republic of China, and since the founding of the People’s Republic of China has been lack of people finishing, the extension of academic influence is subject to a very large extent, and gradually left out. The dissertation widely collects Du Yingtao’s works, studies his works for his drama, and focuses on the academic path of Du’s drama research, revealing the enlightenment significance of his methodology to the present.