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武昌湖滨剧院的观众席里坐满了大学区的大学生。他们对汉剧《弹吉他的姑娘》反应非常强烈:戏剧的进展与青年观众的笑声、掌声融成一片,剧场始终处于一种激动、欢快的气氛中,甚至一阕歌唱、一个动作、一句台词也能引起热烈的反应。在这样的剧场里看戏,近几年来出现的某些古老剧种的危机感消失了,大学生的反应说明,汉剧开始争取到自己的新一代观众。这不能不引起我的思索,这出戏征服新观众的奥秘究竟在哪里? 《弹吉他的姑娘》描写了一个在殡仪馆担任化装工的姑娘——园园的爱情遭遇,批判了对殡葬职业的种种世俗偏见,探索了人生的价值。批判和思考已达到的深度,是这出戏受到新一代观众欢迎的一个重要
Wuchang Lake Theater auditorium filled with college students. They responded very strongly to the Chinese play “Guitar Girl”: the progress of the drama and the laughter and applause of the young audience, the theater was always in an excited and cheerful atmosphere, and even a song, an action, a line Can also cause a warm reaction. In such a theater, the crisis of the sense of flu of some ancient operas disappeared in recent years. The response of college students shows that Han drama started to win a new generation of audiences. This can not but arouse my thoughts. What exactly is the mystery of the play in conquering the new audience? “The Guitar Girl” describes a love affair with a gardener in a funeral parlor, criticizes the funeral profession Various secular prejudices, explored the value of life. The depth to which criticism and thinking have reached is an important aspect of the play being welcomed by a new generation of viewers