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图形—背景理论源自20世纪早期的格式塔心理学,后被应用于探索介词的意义及理解文学作品的语篇特征含义与联想意义。本文基于介词的拓扑空间方位分析诗歌文本《微暗的火》中的内包关系方位词,通过图形—背景理论解读诗歌文本《微暗的火》的语篇意义,并彰显诗歌写作者谢德的时空观及其对自我的认知过程,进而阐明作者纳博科夫的自我意识观。
Graphic-background theory originated from Gestalt psychology in the early 20th century and was used to explore the significance of prepositions and to understand the meaning of discourse features and associated meanings of literary works. Based on the topological spatial orientation of prepositions, this paper analyzes the inner-package relationship orientation words in the poetic text “Dimly Fire”, interprets the textual meaning of the “dark fire” of the poetic text through graphic-background theory, The concept of time and space and the process of its cognition to self, and then to clarify the author’s self-concept of Nabokov.