“虚构的悖论”是20世纪后期引起广泛争论的一个美学问题。围绕这个悖论的解决形成了许多相互竞争的主张,其中有代表性的主张有幻觉主义、事实主义、假装理论和思想理论。本文试图在假装理论的基础上运用身心关系理论提出自己的解决办法,并由此得出一个具有普遍性的观点:艺术虚构的一个重要目的,就在于提供身心切换的练习,维持身心之间的平衡。 The “fictional paradox” is an aesthetic issue that has caused widespread controversy in the late twentieth century. Around this paradox of the solution to the formation of many competing claims, of which there are representative claims of illusionism, factualism, pretending theory and ideological theory. This article attempts to put forward my own solution based on the theory of mind and body based on the theory of pretense, and then draws up a universal view that one of the important purposes of artistic fictionalization is to provide physical and psychological exercises to maintain the relationship between body and mind balance.