从小在被乡村包围中的工厂区长大的蒋莉,视线的情感里满载着质朴和记忆的回望,还有对工业痕迹的迷恋。她的不同时期的作品都弥漫着一种乡野的趣味和文明残迹的混杂气息,这种巧妙的图形结构让她的画面偏离了对图片表面样式的迷恋。她把自己的情感折射到画面之中,无比执着地影响着我们对水彩艺术欣赏的阅读习惯。蒋莉的风景场域作品的表达暗示隐匿着一种传递信息的叙述外向,她总是 Jiang Li, who grew up in a factory area surrounded by villages, looked back with a sense of pride and memory in her eyesight, as well as an obsession with industrial marks. Her works of different periods are permeated with a kind of rustic taste and mixed remnants of civilization, this ingenious graphic structure makes her picture deviate from the fascination of the surface style of the picture. Refracted her emotions into the picture, she is extremely persistent in the reading habits of our appreciation of watercolor art. The expression of Jiang Li’s landscape field works hinted at hiding a narrative transmission of information that is always