因为题材很好,家庭伦理剧近来有回潮之势。然而,当下一些家庭伦理剧的套路却是:“三破一苦”(三破:破碎家庭、破碎情感、破碎婚姻;一苦:家庭苦难)始终像一团死气沉沉的雾霭,盘旋在伦理剧的上空。剥离开所有生编硬造的剧情、人为激化的矛盾、概念化的人物塑造,观众往往找不到感官刺激以外的其他东西。很多剧情人 Because of the good themes, family ethics drama has the potential to resurgence. However, some current family ethics drama routines are: “Three broken one” (three broken: broken family, broken emotions, broken marriage; a bitter: family suffering) has always been like a dead blood mist, hovering in ethics Over the play. Stripped away from all the hardcore story, man-made intensification of the contradictions, the conceptualization of the character shaping, the audience often can not find other than sensory stimulation. Many storytellers