第二章蒙太奇(二) 三蒙太奇的观念体系无论我们多么努力把握影片现象的具体事实,我们在前面提出的广义蒙太奇概念的构成(它意味着我们选取的是尽可能广泛和“客观”的视角)仍然掩盖了一个基本历史事实:蒙太奇概念之所以对电影理论如此重要,还因为(也许主要因为)它引起了截然对立的两种电影观念之间经久不绝和极其深刻的对立。实际上,本世纪最初十年末期以来的电影史和自电影问世以 Chapter 2 The Conceptual System of Montage II. The Montage of Montesquired No matter how hard we try to grasp the specific facts of the phenomenon of the film, the composition of the concept of generalized montage proposed earlier (which means that we have chosen the broadest possible and “objective” perspective ) Still obscures a basic historical fact: why the concept of montage is so important to cinematic theory and also because, perhaps mainly because of it, it has caused an enduring and extremely profound opposition between two diametrically opposed film ideas. In fact, the film history and self-cinema since the end of the first decade of this century have come out