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2009年度能够被称为热点的文艺学研究问题大体仍然是新世纪以来重大问题论争的延续,但是历史意识、本土意识以及问题意识的增强却是文艺学研究进一步走向深化的表征。2009年,正是新中国成立六十周年,“前后三十年”使文艺学六十年的反思与回顾充满了复杂而纠葛的难题;在文艺学的本质论与建构之争中,争论双方虽在“本质有无”上有分歧,但均自觉放弃“本质主义思维”应该是难得的收获;围绕实践美学的逻辑起点和以“实践存在论”为代表的理论发展之争仍很激烈,甚至带上了个人意气;文化研究在淡化了与文学研究的边界之争之后,其自身的学科之惑和机制之难则成为近年来学者关注的重心。
The research on literary and artology that can be called the hot spot in 2009 is still largely a continuation of the major issue of controversy since the beginning of the new century. However, the historical awareness, local awareness and awareness of problems are the characteristics of further deepening of the study of literary arts. In 2009, it was exactly the sixtieth anniversary of the founding of New China. In the debate over the essence and theory of literature and art, the six decades of literary and art rehearsal and retrospection filled the complex and entangled problems. Although the two sides argued that the two sides are divided on the basis of “essence and none ”, they both consciously give up “essentialist thinking ” should be a rare harvest. Focusing on the logical starting point of practical aesthetics and represented by “existentialism” The controversy over theoretical development is still fierce, even bringing personal emotions. After studying the boundary dispute with literary studies, cultural studies have become the focus of scholars’ attention in recent years.