朝鲜汉文学家柳梦寅的《燕京杂诗二十首(次杜少陵秦州杂诗)》在情感基调、典故运用等方面与杜甫《秦州杂诗》有很多相似之处,但在题材、意象、整体色调、氛围、用词等方面又有不同之处,是一组较有水平的五律。这与他积极学习、引用、化用杜诗以及对杜甫及其诗歌的深入批评是分不开的。虽然受次韵创作方式及当时条件的限制,次韵的成就受到了影响,但是它仍然称得上是中朝诗歌交流的一个典范。 Liu Yan-yin, a Korean Chinese writer, has a lot of similarities with Du Fu’s “Qinzhou Miscellaneous Poems” in terms of emotional tone, allusions and use of allusions. , The overall tone, atmosphere, words, etc. There are differences, is a group of more than five law. This is inseparable from his active study, quoting, using Du Fu and his in-depth criticism of Du Fu and his poetry. Although influenced by the mode of sub-rhyme creation and current conditions, the sub-rhyme’s achievement has been affected, but it is still regarded as a model for the exchange of poetry between China and North Korea.