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无论是印外求印,还是以石鼓文书体入印,吴昌硕的篆法结构都能结合章法和印式的特点,服从于整体风格的构思。下面,我们再来解析他的几方印作。图一“海日(楼)”一印,布局极为巧妙。全印三字笔画笔意流转,即便像“日”字,字形扁方,四角仍然以圆转为主。在临摹冲刻过程中应注重留刀,如果冲过了头,必定形成圭角,丧失圆融的特征。“(楼)”字“广字旁”逼近左边,形成平行之势,理应破之。此印钤盖印刷失真,残破过于均匀,
Whether it is printed outside India, or into the stone drum instruments into India, Wu Changshuo seal structure can combine the characteristics of the chapter and Indian style, subject to the overall style of the idea. Now, let’s analyze some of his prints. Figure one “sea day (floor) ” a print, the layout is extremely clever. All-India three-stroke strokes of meaning flow, even like “day ” character, flat square, the four corners are still mainly round. In the process of copy engraving should pay attention to stay in the knife, if crossed the head, will inevitably form a Gui angle, loss of harmony features. “(Floor) ” word “wide word next to” approaching the left, forming a parallel trend, it should be broken. This printing 钤 cover printing distortion, broken too uniform,