一般回到水墨材料,就是回到水墨既成的趣味。在观念层面上,水墨趣味等于传统趣味,没有现代的批判力,现代水墨画运动的兴起,等于在提醒人们注意水墨趣味的的重要性,它从原先中国画这一画种材料,扩大到企图消除中国画这一画种局限的绘画材料利用,所以与其说它是中国画,还不如说它是利用水墨材料进行的绘画。在传统中国画中,人们是无须提及它的材料性质的。因为中国画本身就规定了材料的属性,只有当绘画突破了其画种意义,中国画材料与西画材料都处于材料利用的层面,才有材料的选择和利用的问题,因此,现代水墨画的进一步含义可能是与水墨材料有关的绘画,或者说,水墨材料在现代绘画中的利用。以此而言,现代水墨画应该是企图显示水墨材料特性的绘画,它与中国画的区别在于现代水墨画主动展示为中国画所拥有的材料特性,即水墨趣味,以此证明中国画在水墨画的角度上是有可观前景的。 Generally back to the ink material, is back to the ink of interest. On the conceptual level, the taste of ink and wash is equal to the traditional taste and there is no modern critique. The rise of the modern ink painting movement is equal to the importance of reminding people of the taste of ink and wash. From the original material of Chinese painting to the attempt to eliminate Chinese painting This painting is limited by the use of painting materials, so it is not so much a Chinese painting as it is a painting using ink and wash materials. In traditional Chinese painting, one does not have to mention its material nature. Because Chinese painting itself stipulates the properties of materials, only when the painting breaks through the meaning of painting, both Chinese painting materials and western painting materials are at the material utilization level, so the material selection and utilization problems may arise. Therefore, the further meaning of modern ink painting may be Is related to the ink painting materials, or that the use of ink materials in modern painting. In this sense, modern ink painting should be a painting intended to show the characteristics of ink-and-water materials. The difference between it and traditional Chinese painting lies in the fact that modern ink painting proactively displays the material characteristics of Chinese painting, that is, the ink fun, to prove that Chinese painting has an ink painting point of view Considerable outlook