在在四年的戏曲导演的学习过程中,我们深深扎根在民族文化的土壤中,放眼世界艺术的发展,以一种“中西碰撞”的理念贯穿学习的始终。因此,在毕业剧目的创排中,我们试图用中国戏曲去演绎一部挪威戏剧名著,这个想法源于《培尔·金特》话剧片段的成功演出带给我们的启示和思考。从一个大胆的想法,到如今京剧《培尔·金特》所取得的令人兴奋的演出成果,在这个过程中,我们在中西戏剧艺术的碰撞中寻找到 During the four years of study of opera directors, we deeply rooted in the soil of national culture and looked at the development of world art. Through a “collision between China and the West”, we went through the study. Therefore, in the creation of the graduation project, we try to deduce a Norwegian drama masterpiece by using Chinese opera. This idea stems from the enlightenment and reflection brought by the successful performance of “Peer Gilt” drama. From a bold idea to the exciting performance achieved by the Peking opera today, we find in the collision between Chinese and Western theater art