作为中法建交50周年系列文化活动之一,中国画家赵溅球的乡土题材山水画欧洲巡回展近期在法国卢浮宫卡鲁塞尔厅隆重举行。大而言之,这是中西文化交流史上的一件值得关注与记忆的艺术事件;小而言之,这是画家本人多年来致力于中国画当代形态探索的集中展现。因为画家对于“中西融合”理念的着意彰显,似乎使画展在当下的地缘政治中颇具几分耐人寻味的意涵;而在艺术上,画家将20世纪以来中国画革故鼎 As one of the series of cultural activities of the 50th anniversary of the establishment of diplomatic relations between China and France, Zhao Naoliu, a Chinese painter, has recently held a European roving exhibition of local landscape paintings in Carrousel, Louvre, France. In a larger sense, this is an art event worthy of attention and memory in the history of Sino-Western cultural exchange. In a small sense, this is a concentrated demonstration of the painter himself devoting himself to the exploration of contemporary forms of Chinese painting for many years. Because the painter’s intentional expression of the concept of “Chinese-Western fusion” seems to make the exhibition a bit more intriguing in the current geopolitics. In the arts, however, the painter turned the idea of ​​Chinese painting since the 20th century