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第一次读方方的作品,记得是将近二十年前读她的处女作也是成名作《“大篷车”上》,那种泼辣的文风给我留下极为深刻的印象。打那以后,在我的脑子中,就有一个从珞珈山下走出,生活在长江岸边的女作家方方的位置。真正为方方的作品所打动乃是八十年代后期读到她的作为新写实代表作的中篇小说《风景》,这篇以现代主义某些技巧包装起来而其灵魂仍是传统的现实主义的为汉口码头旁棚户区工人生活的作品,是篇典型的新写实的作品,我多次在文章中和讲课中提到它。而同样
For the first time, I read the works of the party, remember that almost 20 years ago to read her debut masterpiece “” caravan “, the kind of pungent style left a deep impression on me. After that, in my mind, there was a place for Fang Fang, a woman writer who came out from under Luojia Hill and lived on the banks of the Yangtze River. What really touched the party’s work was her reading of the novella ”Landscape", a realistic new masterpiece in the late 1980s. This piece of art, which is packaged with some modernist techniques and whose soul is still traditional realism The works for the shantytowns workers living next to Hankow Pier are typical new realistic works, and I have mentioned it many times in my articles and lectures. And the same