元代的江南陆续完成了《普宁藏》、河西字《大藏经》的刊造与《碛砂藏》的续刊,其中一些藏经印本配有扉画,从存世作品看,这些藏经的扉画有藏传艺术风格与汉传艺术风格两类,更准确地说,有含汉地因素的藏传佛教艺术风格与纯汉地艺术风格两大类。学界对前者似关注较多,而对后者的研究则相对缺乏。本文拟就一幅金刚上师胆八与白云宗主道安题款的《普宁藏》汉风扉画——这幅扉画后来也被用于《碛砂藏》——的制作年代、内容与图本来源等问题展开讨论,以期能够引起学界对此 In the Yuan Dynasty, the southern part of the Yuan Dynasty successively completed the publication of “Puning Tibet”, the Hexi word “Tripitaka” and the continuation of “moraine sand reservoir”. Some of the Tripitaka impressions were accompanied by Fei Tuo paintings. From the surviving works, There are two types of art of the Fei style: the art form of the Tibetan language and the art style of the Han language. More precisely, there are two major categories of artistic style of Tibetan Buddhism and the art style of pure Han. The academic circles pay more attention to the former, while the latter study is relatively lacking. This article intends to make a painting of “Puning Tibet” and “Hanfeng Fei Fei” - a piece of paper that King Kong has also used for “moraine sand collection” and its content and content Picture source and other issues to discuss in order to arouse the academic community on this