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本文讨论了极简主义音乐、造型艺术和新媒体的共同特征,用存在符号学等分析工具,选取艺术个案进行讨论,如菲利普·葛拉斯的音乐作品《玻璃》(1981)和《四号交响乐》(1996)、理查·塞拉的“开放”装置艺术和查克·克洛斯在葛拉斯肖像中展示出的艺术手法。研究旨在论证在不同的媒介中,艺术家所使用的方法、意味和引起的感知是共同的。本文同时检视了在新的语境之中,也就是在电视商业节目中,以及更为新近的,如智能手机和平板电脑的应用软件中(如葛拉斯和贝克的REWORK项目),极简主义音乐是如何被使用的。
This article discusses the common features of minimalist music, plastic arts, and new media. Existential semiotics and other analytical tools are used to discuss artistic cases. Philosophical works such as Philippe Glass’s Glass (1981) Symphony “(1996), Richard Serra’s” Openness "installation art and Chuck Clos in the portraits of Glad’s portraits. The research aims to demonstrate that the methods, the meanings and the sensations of the artists that are used in different media are common. This article also looks at the new context, namely on TV commercials, and more recently in applications such as smartphones and tablets (such as Glass and Baker’s REWORK project), minimalism How is the use of musical music?