中国画作为一个独特的画种——或者说是一种艺术表现形式能够立世,必然有其原因。抛开影响她的诸多其他因素不谈,“以书入画”恐怕是其原因之一。“汉字有三美,意美以感心,一也;音美以感耳,二也;形美以感目,三也”(《鲁迅全集》第九卷344页)。生活在一个以汉字为主要传播媒介的国度里,无时无刻不感受到“字”的抽象形态以外所蕴涵的意义。作为一名中国画家,对于“字” Chinese painting as a unique kind of painting - or that a form of artistic expression can be established, must have its own reasons. Apart from the many other factors that affect her, aside, “painting in the book” probably is one of the reasons. “There are three Chinese characters, meaning the United States to feel the heart, one also; sound and beauty to ear, two also; shape beauty to the eyes, three also” (“Lu Xun,” Volume IX, 344 pages). Living in a country with Chinese characters as the main media, the meanings beyond the abstract form of “characters” are always felt. As a Chinese artist, for the “word”