本文从颠覆传统庄严主题、解构“英雄”与戏仿手法的运用等方面论述了《赤壁》的后现代主义审美特征,认为该剧在迎合、满足观众的娱乐需求的同时,也挑战着观众既定的审美期待,故而影片既受追捧,又遭非议。 This article discusses the postmodernist aesthetic features of Chibi from subverting the traditional solemn theme, deconstructing “hero ” and the use of parody techniques. It holds that the play, while catering to and satisfying the entertaining needs of spectators, challenges the Audience set the aesthetic expectations, so the film is sought after, was criticized.