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在粤曲(含粤剧唱段)的唱腔音乐结构中,板腔是主要体系。板腔有梆子和二黄两大类,常用板式达几十种。板腔唱段由引子(即板面)、唱句和过门(即序)三部份构成;其中包括了节奏、落音和调式,也就是我们常说的板路与腔口。不同的板腔在其句格、调式、落音及唱词安排上,自有它们各自的特征,是有规律可寻的,知其言者并不困难。粤曲初学者感到最难掌握的是节拍。因此,我们必需弄懂“叮、板”的要义。粤曲如歌曲一样有节拍。在规定速度
In Cantonese opera (including Cantonese opera aria) aria music structure, board cavity is the main system. Plate cavity with prickly heat and two yellow two categories, commonly used plate up to dozens of species. Plate chamber aria by the primer (ie, board), singing and over the door (ie sequence) composed of three parts; including the rhythm, Akechi and modulation, that is, we often say the board road and the mouth. Different board cavity in its sentence, style, tone and phonetic arrangements, their own characteristics of their own, there is a regular find, know the speaker is not difficult. Cantonese beginners feel the most difficult to master is the beat. Therefore, we must understand the meaning of “bite, board”. Cantonese songs like a song beats. At the prescribed speed