在古代中国画阐释中,理解者接受了某种程式也就等于接受了某理解意图和方向。在先行结构中的先行见到也在程式中显现出来,程式是画面的基本语言,是与理解者的理解第一次打交道的作品因素,并且使之上升为概念化的事物,同时对这些概念化事物的使用也就构成理解前结构中的先行掌握部分。 In the interpretation of ancient Chinese painting, the interpreter accepted a certain program is equal to accept an intention and direction of understanding. The preemptiveness seen in the antecedent structure is also manifested in the program, which is the basic language of the picture, the work element of the first dealings with the understandings of the understanding, and makes it up to conceptual things, The use of the former structure will also constitute understanding of the pre-mastered part.