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画家徐悲鸿笔下的那匹奔马,即使累倒了,也会一往无前。这就是从文从艺的人的本真美。艺术审美浮华也是一种美本真与浮华,历来是人们的两种审美取向。譬如艺术审美取向,什么是艺术的美呢?不同的人们会有不同的理解。即使是同一个人,在不同的境遇和语境里,也会有不同的理解。而这不同,大抵也就是本真与浮华这两种。宋代五大名窑的瓷器,无论色泽还是形态,都精当到大模大样,这是中国人的本真美。到了“清三代”康雍乾时期,瓷器又到了无与伦
The painter Xu Beihong pen horse, even if tired, will be indomitable. This is the true beauty of people who follow art. Art aesthetic flashy is also a kind of beauty and flashy, has always been the two people’s aesthetic orientation. For example, the aesthetic orientation of art, what is the beauty of art? Different people have different understandings. Even the same person has different understandings in different situations and contexts. And this is different, probably it is both real and flashy. Five famous kilns in the Song Dynasty porcelain, regardless of color or shape, are refined to the large format, this is the Chinese people the true beauty. To the “Qing Dynasty” Kang Yongqian period, porcelain has come unparalleled