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有着三百多年历史的东北“二人转”这种地域性极强的民间艺术凭借“小品王”赵本山的大力推动开始火遍全国。一片繁华中,似乎“二人转”艺术就此开始获得新的生机与活力。但喧嚣中,赵本山所谓的“绿色二人转”却离“绿色”渐行渐远,既未弘扬“二人转”历史中的优秀唱段,也未寻找到适合新时代发展的新的题材内容,表演形式更是向小品化、杂耍化倾斜,一些表演流于粗鄙。本文从审美的角度批驳当下“二人转”表演中的低俗发展倾向。
With a history of more than three hundred years, the northeast “two people turn ” This extremely strong folk art with “sketch king ” Zhao Benshan’s vigorous promotion began to fire all over the country. A bustling, it seems that “duotong ” art began to gain new vitality and vitality. However, in the noise, the so-called “green duo” of Zhao Benshan drifted away from the “green”, did not promote the excellent aria in the history of “duo” and did not find a new one suitable for the development of the new era Theme content, performance form is to miniaturization, miscellaneous tilt, some performances flow in vulgar. This article argues from the aesthetic point of view that there is a tendency of vulgar development in the current performance of “Duo Ren Ren”.