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纪录片中通常会有“情景再现”。这种再现往往动用了大量的艺术手段来进行人物、氛围的营造甚至渲染,这会导致纪录片这个种类特性的损伤抑或偏移。在遵循纪录片真实纪录特性的原则下,是否有再现的另类界定和手段?再现的拓展中是否存在误区?作者从多年实践的案例出发,围绕最大可能保证纪录片纯粹性的问题进行探讨,论证纪录片再现的多种制作方式。目的是更广阔地拓展纪录片的创作空间,从而让纪录片既有原始生命感,又不失观众接纳的兴趣点,尽可能扩展纪录片的受众群体。
The documentary usually has “scene reproduction”. This kind of reproduction usually uses a great deal of artistic means to create or even render the characters, the atmosphere, which can lead to the damage or offset of the documentary type. In accordance with the principle of documentary record-keeping characteristics, there is no alternative definition and means of reproduction? Is there any misunderstandings in the extension of the reproduction? From the case of many years of practice, the author discusses the issue that may guarantee the purity of the documentary to the greatest extent and demonstrates the documentary reproduction A variety of production methods. The purpose is to broaden the creative space of documentary films more broadly so that the documentary can have the original life feeling without losing the point of interest accepted by the audience and expand the documentary audience as much as possible.