正是由于这种特殊性的存在,使得行为艺术作品多数需要依靠影像和照片等方式保存,而这种保存方式却在某种程度上存在着形式上的差异,即行为与影像之间的冲突。多数时候,对于行为艺术的收藏普遍倾向于收藏其创作过程中生成的影像和照片等作品,而很少有关于作品创作本身的收藏行为出现。这一方面受限于行为艺术本身的不可保留性,另一方面也跟行为艺术多 It is precisely because of the existence of this particularity that the majority of performance art works need to be preserved in the form of images and photographs. However, there are some formal differences in the way of preservation, that is, the conflict between behavior and image . Most of the time, collections of performance art tend to favor works such as videos and photos generated during their writing, and very few collections about the work’s creation itself appear. On the one hand, this is limited by the ineffability of the performance art itself and, on the other hand,