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中国戏曲是我国民族文化中特有的艺术形式,对于其美学高度以及文化价值不需赘述。本文从古代、近代、当代三个阶段来探讨戏曲与观众之间形成的观、演关系,并结合当代戏曲所面临的状况,分析戏曲自身的哪些艺术特色能让更多观众走进剧场,认识戏曲。当代各种门类的艺术形式并存,直面市场接受观众的挑选,戏曲已不象过去那样是观众唯一的艺术观赏形式,而且当代戏曲的观众群体年龄越来越呈老龄化,年轻观众少之又少,这和当下戏曲作品的题材内容缺乏对于人民的生活和思
Chinese opera is a unique art form in our national culture, and it is not necessary to repeat its aesthetic and cultural values. This article discusses the relationship between the opera and audience formed from ancient, modern and contemporary stages, and analyzes the artistic characteristics of the opera itself to allow more viewers to walk into the theater and recognize drama. Contemporary art forms of various categories co-exist, facing the market to accept the selection of the audience, the opera has not the audience as the only form of art viewing, and the contemporary audience of the opera more and more aging population, few young audience , Which is the theme of the current drama and the content of the lack of life and thinking for the people