中国北方的石窟寺艺术尽管由于地域的差异各具特色,其相互之间却始终存在着渊源与联系。云冈石窟早期造像受麦积山石窟等的影响,受佛教传播因素的影响;同时又受民族文化和地理环境等诸多因素的影响。仅从麦积山74、78窟及云冈昙曜五窟、20窟的比对中,便可略现一斑。 Although the art of cave temple in north China has its own characteristics due to its geographical differences, there are always some origins and connections between them. The early statues of Yungang Grottoes are affected by the Maijishan Grottoes and other factors influenced by the spread of Buddhism. At the same time, they are influenced by many factors such as national culture and geographical environment. Only from Maijishan 74,78 Cave and Yungang Tan Yao five Cave, Cave 20 comparison, can be a little noticeable.