UED:郑州建业艾美酒店作为如恩目前规模最大的,设计项目最多元化的项目,展现了如恩在多种叙事空间和多种材料语言的把控能力,特别是建筑裙房的灵感来源于历史遗迹龙门石窟,那么,如恩是如何解读中国传统雕刻艺术与现代建筑之间的种种可能?胡如珊:我们的设计经常从对一个项目的第一感觉开始。这种感觉通常来自于一种文化的独特性,而这个文化可以是来自一个城市、一个家庭、一个企业或者是一个个人。在设计郑州建业艾美酒店前,我们对郑州及其文化进行了 UED: As the largest and most diversified project in the world, Le Meridien Zhengzhou Jianye showcases Ru’s ability to control various narrative and multi-lingual materials, especially architectural podiums From the Longmen Grottoes, which is a historical site, how can we interpret the possibilities between the traditional Chinese sculpture and the modern architecture? Hu: Our designs often start with the first impression of a project. This feeling usually comes from a cultural uniqueness, and this culture can come from a city, a family, a business or an individual. Before designing Le Méridien Zhengzhou, we conducted a survey of Zhengzhou and its culture