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文艺复兴早期,借助透视法和光影的明暗处理,营造真实的绘画世界,再现真实的主题空间,成为一代画家的基本追求。文艺复兴早期的画家的审美追求为之后的绘画创作开辟了道路,积累了经验,同时,这一时期的艺术家往往表现出对空间、透视的刻意追求,反而使绘画趋于呆板,不利于绘画的发展。波提切利,作为文艺复兴早期最后一位杰出的画家,将空间三维感的自觉追求和人物立体感的纯熟塑造,以及对绚丽色彩的高度把握和线条表现力的流畅和谐集于一身,创造了颇具浪漫风情的绘画作品。其画面中的忧郁沉静的气质及优美婉转的女性情怀,及对宗教的反叛精神,使其在文艺复兴早期绘画中独树一帜,成为意大利现实主义艺术的先驱,此外,其绘画也体现了一定的东方情调。
Early Renaissance, with the perspective of light and shadow of perspective and light and shadow processing, to create a real world of painting, to reproduce the real theme of space has become the basic pursuit of a generation of painters. The aesthetic pursuit of the early Renaissance painters opened the way for the later painting creation and gained experience. At the same time, artists in this period often showed the pursuit of space and perspective instead of making the painting rigid and detrimental to painting development of. Botticelli, as the last outstanding painter of the early Renaissance, brought together the conscious pursuit of three-dimensional sense of space and the skillful shaping of the three-dimensional character, as well as the smooth and harmonious grasp of brilliant colors and the expressiveness of lines A quite romantic style of painting. The melancholy and quiet temperament and graceful and mild femininity of the picture and the rebellious spirit of religion make it unique in the early Renaissance paintings and become the pioneer of Italian realism art. In addition, the painting also reflects certain oriental Emotions.