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作为一个外来音乐品种,我国的合唱艺术在合唱创作和演出方面都取得巨大成就。进入新世纪,听众对合唱艺术提出了更高要求,而优秀的合唱作品以及高水准的演唱人才却相对匮乏,中国合唱艺术的民族化发展瓶颈开始愈加凸显。中国合唱艺术民族化过程中所面临的主要问题在于西方合唱的复调思维与我国声乐传统的线性思维、合唱艺术的音准要求与我国声乐传统的音腔理论之间的矛盾。解决上述问题不能只依靠折中的办法,而应当深入到更为根本的律制层面展开研究,将问题定量化、精确化,并以此为基础创作出具备时代感和民族性的作品来。
As a variety of alien music, our chorus art has made great achievements in chorus creation and performance. In the new century, the audience put forward higher requirements on the art of chorus. However, the excellent chorus works and the high standard of singing talent are relatively scarce. The bottleneck of the nationalization of Chinese chorus art has become increasingly prominent. The main problems in the process of nationalization of chorus art in China lie in the contradictory between the polyphonic thinking of Western chorus and the vocal tradition in our country, the standard requirement of chorus art and the sound theory of vocal tradition in our country. To solve the above problems, we should not rely solely on compromise measures. Instead, we should go deep into the study of the more fundamental legal system and quantify and refine the issues so as to create works with the sense of the times and the nationalities.