论文部分内容阅读
男人跳舞并不稀奇!“轴心时代”的人类文明都深谙修身养性的道理。男子还曾是最早的职业化芭蕾舞演员。不过观赏活泼生动的女人舞蹈,一直是人类共有的审美习惯,所不同只是在“意境”和“女乐”的尺度上游离,代表着男人们公开或隐秘的心理符号。然而,在东西方社会,男人跳舞并不容易成为一件理所应当的事情。直到20世纪后,无论男人还是女人的身体,才成为可以显现出理念、精神和灵性的身体。如同女性在社会领域争取自己应有的权利和地位一样,1933年美国肖恩男子舞蹈团的组建,就像是一场舞蹈界的“男
Men dancing is not unusual! ”Axial era “ of human civilization are well versed in self-cultivation of truth. The man was once the earliest professional ballerina. However, the lively and vivid woman’s dance has always been the common aesthetic habit of mankind. The difference is only on the scale of ”artistic conception“ and ”female music", which represents the men’s public or hidden psychological symbols. However, it is not easy for men to dance in the East and West as a matter of course. It was not until the twentieth century that both the body of a man and a woman became a body capable of manifesting ideas, spirits and spirituality. As women fight for their rights and position in society, the formation of the Sean Men’s Dance Company in 1933 is like a dance world