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文章首先概述潇湘八景在日本传播发展的大致特点,之后重点针对铃木春信的《坐铺八景》这一组作品如何对应潇湘八景的每一个画题逐一做详细探讨,并深入阐释了春信作品如何将江户时代一个普遍的创作手法——“见立”创造性的运用于八景画题的独特特点。
The article first outlines the general characteristics of the eight landscapes in Japan Xiaoxiang dissemination and development, followed by the focus on Suzuki Haruyuki’s “sit eight” This group of works corresponding to each of Xiaoxiang eight paintings one by one to do a detailed discussion of each painting, and in-depth interpretation of Spring Letter works will be how One of the most common creative techniques in the Edo period - “See ” creatively applied to the unique features of the eight-color painting title.