法国伟大作家阿尔伯特·加缪虽然不是一个哲学家,但是他的名字和著作却是同存在主义以及作为其一部分的荒诞概念非常密切地联系着。在存在主义的全盛时期,加缪是和萨特比肩齐名的伟大作家,他的文学作品始终和他的哲学思想,即荒诞的概念联系着,要理解他的文学作品,首先必须了解他的荒诞哲学思想。一、荒诞的概念在20世纪五六十年代,西方现代艺术中逐渐兴起的一个戏剧流派被称为荒诞,但是后来这一概念不断发展和演变,慢慢超出了戏剧的范畴。 Albert Camus, a great French writer, is not a philosopher, but his name and writings are very closely linked with existentialism and absurdity as a part of it. In the heyday of existentialism, Camus was a great writer who shared his realm with Sartre. His literary works were always connected with his philosophical thought, that of absurdity. To understand his literary works, we must first understand his absurdity Philosophical thinking. First, the absurd concept In the 1950s and 1960s, the gradual rise of a Western theater in the genre of modern drama was called absurd, but then the concept of continuous development and evolution, slowly beyond the scope of the drama.