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新疆民族乐曲在中国民族音乐大家庭中,以其独特的曲风,浓厚的民族特点为基础,占据了重要的地位。在新中国成立以来,随着国家对于艺术的大力关注,新疆民族音乐也取得了极大的发展,二胡、扬琴、古筝等民族乐器与新疆音乐的融合发展都取得了一定的成就,但二胡与新疆音乐的融合发展还存在着极大的发展空间。现有的新疆音乐风格二胡曲,更多的是展现维吾尔族和塔吉克族的音乐风格,缺少了对其他新疆少数民族音乐特点的采用。新疆是一个多民族的地区,新疆音乐风格的二胡作品也应该是多元化的,仅从这两个少数民族来发展创作是远远不够的,应增强对其他新疆少数民族音乐的研究,全方位的了解新疆民族音乐。本文将会对新疆少数民族音乐特点、民间音乐形式等进行介绍,从而为二胡艺术与新疆民族音乐的融合提供更多的音乐素材。
Xinjiang ethnic music in the Chinese national family of music, with its unique genre, strong national characteristics as the basis, occupy an important position. Since the founding of new China, with the strong concern of the state for the arts, the folk music in Xinjiang has also made tremendous progress. Some achievements have been made in the integration and development of ethnic musical instruments such as erhu, dulcimer and guzheng with Xinjiang music. However, erhu The fusion of Xinjiang music development there is still a great room for development. The existing Xinjiang erhu music genre, more is to show the Uighur and Tajik musical styles, the lack of other ethnic minorities in Xinjiang using the music features. Xinjiang is a multi-ethnic region. Xinjiang’s erhu works of musical style should also be diversified. It is not enough to develop their creations solely from these two minorities. It is necessary to enhance the study of other minority nationalities in Xinjiang. Understand the Xinjiang ethnic music. This article will introduce the characteristics of folk music and folk music in Xinjiang and provide more material for the integration of Erhu art and Xinjiang folk music.