我从未见过胡向前像在他的《秘密任务》拍摄现场那样焦虑的状态。毕竟,团队工作不同于个体创作,有千头万绪的实际问题要考虑;而印象中,这位“表演艺术家”似乎并不精于此道,倒更像片中的独行刀客,向来是以一己之力与这世界周旋。这个为他六月份个展准备的片子,拍摄时间只有两天,不过从设备到团队,再到拍摄所在地横店本身,都类似于电影拍摄的操作。然而矛盾的是,胡向前并不钟情电影,这一番的折腾仅是为了成全他的“表演”实验。 I have never seen Hu Xiangqian as anxious as he was at the scene of his “secret mission” filming. After all, the team work is different from the individual creation, there are a multitude of practical problems to consider; and the impression that the “performing arts ” does not seem to be good at this road, It is by one’s own power and the world deal with. This film for his solo exhibition in June, shooting time of only two days, but from the equipment to the team, and then to shoot the location of Hengdian itself, are similar to the filming operation. However, the contradiction is that Hu Xiangqian did not love the movie, and this time the torment is only to fulfill his “performance ” experiment.