在《网络时代的诗歌》中,杨晓民曾经危言耸听地宣称:“大众最终抛弃了诗歌。现行的诗歌死了。我们所能见到的仅仅是诗的幽灵。” 假如我们对以上判断进行形式逻辑分析,结果会推出这样的预设前提:大众曾经拥有诗歌。现行的诗歌曾经活着。我们曾经见 In “Poetry in the Internet Age,” Yang Xiaomin once said in a threatening manner: “The public finally discarded poetry. The current poetry is dead. All we can see is poetry ghost.” If we make a formal and logical analysis of the above judgments , The result will be introduced such a precondition: the public once owned poetry. The current poetry was alive. We have seen