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今年8月,由北京德国文化中心·歌德学院(中国)和三影堂摄影艺术中心联合主办的“论方法——康迪达·赫弗个展”在京开幕。德国摄影界前有奥古斯特·桑德(August Sander)。后有伯恩·贝歇和希拉·贝歇夫妇(Bernd&Hilla Becher)。作为贝歇夫妇的学生,康迪达·赫弗(Candida H(o|¨)fer)与安德烈亚斯·古尔斯基(Andreas Gursky)、托马斯·鲁夫(Thomas Ruff)、托马斯·斯特鲁特(Thomas Struth)等人—起,是杜塞尔多夫艺术学院摄影学派的代表,也是当今世界最重要的摄影艺术家之一。而在那一代以男性为主的摄影师之中,赫弗作为一名女艺术家,无疑格外夺目。作为赫弗在中国的首次大型个展,这次展览全面地展示了该艺术家多样的摄影工作方式及其艺术创作的发展历程。本刊亦摘选了策展人赫尔伯特·布克特(Herbert Burkert),也是赫弗的先生,在与艺术家的交流中所撰写的关于赫弗的艺术理念和工作方法的文章,以飨读者。
In August this year, the “Methodology - Condé-Hever Solo Exhibition” co-hosted by Goethe-Institut Beijing China Cultural Center Goethe-Institut China and the Shadows Photography Center opened in Beijing. Former German photographer August Sander. Followed by Bernese Béc and Bernd & Hilla Becher. As a student of the Bachelors, Candida Höfer and Andreas Gursky, Thomas Ruff, From Thomas Struth et al., On behalf of the School of Photography of the Dusseldorf Academy of Arts, is one of the most important photography artists in the world today. Among the male-dominated photographers of that generation, Hever was undoubtedly a brilliant woman. As Hever’s first large-scale solo exhibition in China, the exhibition fully demonstrates the artist’s diverse photographic work style and the development of his artistic creation. The publication also featured the curator Herbert Burkert and the author of Mr. Hever’s article on Hever’s artistic philosophy and working methods in his communication with artists飨 readers.