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白茆山歌在江南地区具有悠久的传统,建国之后,它被革命的文艺政策充分利用和改造,在大跃进时代发挥了重要作用,白茆山歌也因此变成闻名全国的典型案例。之后一直到“文革”结束,当地的革命山歌都有着充分的展演。但我们从留下的各种文献里,只能接触到“宣传队民歌”所展示的革命的世界;而通过对历史经历者的多层面访谈,我们将获得另外一种眼光来穿越文献,并借以发现在这个革命世界下面,还有一个被遮蔽的、不革命的甚至成为革命对立面的山歌世界,这一世界也许更真实地体现着民众的日常生活和社会心态,并对革命的世界,提供了更多切实的理解面向。
Baizuo folk song has a long tradition in the Jiangnan area. After the founding of the People’s Republic of China, it was fully utilized and transformed by revolutionary literature and art policy. It played an important role in the Great Leap Forward era. Baizu folk songs became a typical case of the whole country. After that until the end of the “Cultural Revolution”, the local revolutionary songs and songs all performed well. However, from the various documents we have left behind, we can only get access to the revolutionary world shown by “Propaganda Team Folk Songs.” Through multi-level interviews with historical experienceers, we will gain another perspective to cross the literature And to find out in this revolutionary world there is also a covered folk song that is not obscured or even turned into a revolutionary antithesis. This world may more truly reflect the daily life and social mentality of the people, , Provides more practical understanding of the direction.