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相对于20世纪80年代末之前的经典叙事学,学界一般称90年代以来的新叙事学理论为后经典或后现代叙事理论。英国学者马克·柯里的《后现代叙事理论》★是后经典叙事理论的代表作之一。戴卫·赫尔曼的社会叙事学、苏珊·S·兰瑟的女性主义叙事学、詹姆斯·费伦的修辞性叙事理论等主要都是在传统的叙事理论中注入社会政治、意识形态和伦理道德等内容来分析叙事文本。与他们不同的是,马克·柯里则除了叙事文本之外,还调动了叙事学的资源来分析政治、历史、文化、民族乃至商业活动等诸多领域中的“叙事”现象,从宏观的角度描绘了从“经典”到“后经典”的“转变”过程。作为后现代叙事理论研究的基础工作,本文是对《后现代叙事理论》第一部分的介绍性解读。
Compared with the classical narratology before the end of the 1980s, academics generally refer to the neo-narratology theory since the 1990s as the post-classical or postmodernist narrative theory. The British scholar Mark Curley’s “Postmodern Narrative Theory” ★ is one of the representative works of post-classical narrative theory. The social narratology of David Weilmann, the feminist narratology of Susan S. Lanser, and the rhetorical narrative theory of James Phelan mainly focus on the social and political ideology and the ideology in the traditional narrative theory Ethics and other content to analyze the narrative text. What is different from them is that apart from the narrative text, Mark Curley mobilized the resources of narratology to analyze the phenomenon of “narration ” in many fields such as politics, history, culture, ethnicity and even commercial activities. From macroscopic From the perspective of “Classic ” to “Classic ” “Transformation ” process. As the basic work of postmodern theory of narratology, this article is an introductory explanation of the first part of “postmodern narrative theory”.