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近年来,在艺术重返自身的过程中,艺术作品充分获得“自我”与本体意义上的纯粹性。特别是精神层面上的深化,使当代艺术显现出浓郁的“人化”特点。然而不少画家在高喊“物我两忘”的口号声中。放弃了对“物”的研究,对“客观”现象的观察,对现实生活的关注,在一味“自我”、“个人情绪”化的语言表现、符号图景中,一方面是空前的艺术进步。一方面是导入深深的误区。事实上,任何时代的艺术都只能是特定客观事物的本质化形式表现,以表达一种特定的感觉与感受;归纳起来,无非是从宏观上对“物”、“我”关系的把握从而在不同层面上勾勒出一幅“心灵图景”的外化样态。
In recent years, in the process of art returning to itself, works of art have fully acquired the purity of “self” and noumenon. In particular, the deepening of spiritual level, so that contemporary art shows a strong “human” characteristics. However, many painters shout in the slogan “I forget both things.” Abandoning the study of “things”, observing the phenomenon of “objective” and paying attention to the real life, on the one hand, it is an unprecedented artistic progress in the blind expression of “self” and “personal emotion”. On the one hand is the introduction of deep misunderstanding. In fact, the art of any era can only be a manifestation of the nature of the specific objective things in order to express a specific feeling and feeling. To sum up, it is nothing more than a macroscopic grasp of the relationship between “things” and “me” At different levels outline a “spiritual picture” of the outward appearance of the state.