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从近代文学革命开始,到五四新文化运动、“左联”的文学实践,直至1942年延安文艺座谈会的召开,中国近现代文学的发展始终没有放弃“大众化”的努力。在这个演绎过程中,文学不仅承载着审美使命,更肩负着改造中国政治,改造国民灵魂,实现中国共产党人政治理想的重任。从文学民间大众话语的发生、转换到改造、确立,无论“大众化”的话语内涵如何转换,它始终坚持并追求着“化大众”的目标。然而,在承接“大众化”旗帜的时候,1958年“新民歌运动”在欲将民间文化资源作为文学的最终归宿时,为文学大众化画上了句号。
From the beginning of the modern literary revolution to the May Fourth New Culture Movement and the literary practice of the “Leftist”, until the convening of the Yan’an Literary and Art Symposium in 1942, the development of modern Chinese literature never failed to give up “popularization”. In this process of deduction, literature carries not only the aesthetic mission, but also the important task of reforming Chinese politics, reforming the soul of the nation and realizing the political ideal of the Chinese Communists. From the occurrence of the discourse of folklore in the literature to the transformation and establishment of the discourse, no matter how the discourse content of “popularization” is transformed, it always upholds and pursues the goal of “transforming the masses”. However, when undertaking the banner of “popularization”, 1958 “New Folk Song Movement” ended its literary popularity when it was intended to make folk cultural resources the ultimate destination for literature.