在罗迪·多伊尔的作品《撞上门的女人》中,女主人公宝拉.斯宾塞自述了作为一位遭受家庭暴力的普通爱尔兰妇女辛酸而坚韧的生活经历。宝拉所展现的不同于上一辈的女性主体意识,既折射了爱尔兰女性从迷失自我到成功地找寻自我的经历,也是二十世纪末爱尔兰社会发展的必然,是爱尔兰社会进步的标志。本文通过分析《撞上门的女人》中宝拉的新女性意识、经济独立意识、宝拉的非传统性、情欲独立意识以及宝拉的同盟意识来展示宝拉觉醒中的女性主体意识。 In Roddy Doyle’s Crashing Woman, actress Paula Spencer recounts the bitter and tough life of an ordinary Irish woman who suffers from domestic violence. Different from the previous generation of female subject consciousness, Paula not only reflected the Irish women’s experience of losing themselves to successfully finding themselves, but also the necessity of social development in Ireland at the end of the 20th century and the symbol of social progress in Ireland. In this paper, Paula’s new female consciousness, economic independence consciousness, Paula’s non-traditional, passionate independence consciousness and Paula’s alliance consciousness are analyzed to show Paula’s consciousness of female subject.