根艺是以身的实体为存在基础的。所谓隐寓是指根艺自身形体的潜在内涵,它包括象征性和唤起性;它是形状的具象或抽象,内部的力和空间感所共同作用而产生的特性,往往是无法用语言表达的一种会意。而弹性则是指随着观众的心理变化,作品产生的促发力和感染力的延展空间的大小。它是作品与观众相联系的结果。有些根艺的失败(指我所看到的部分根艺)就在于没有把握住根艺语言的隐寓性,象幼儿园的孩子式的把一切都叙说的明白无遗,反而失去根艺应有的艺术性内涵,显得做作,不谐调,并有些可笑。根艺实体的三维性,往往被人们误解为表现真实生活中实体的完美语 Root art is based on the existence of the body entity. The so-called hidden genre refers to the potential meaning of Genyi’s self-shape, which includes symbolic and evocative; it is the characteristic of the shape or abstraction, the internal force and the sense of space produced by the common features, often can not be expressed in words A kind of knowing. The flexibility refers to the psychological changes with the audience, the work of the impetus and appeal of the extension of the size of the space. It is the result of the connection between the work and the audience. Some of the root art of the failure (referring to the part of my root art) is that there is no grasp of Genyi language of the subtleties, as a kindergarten child all the narrative to understand exhausted, but lost root art should Artistic connotation, it seems contrived, not harmonious, and some ridiculous. The three-dimensional nature of the root art entity is often misunderstood as the perfect language for representing real life entities