论文部分内容阅读
作为电影表现的对象,在伊朗这样一个传统且又经受连年战争的伊斯兰国家来说,恐怕只有孩子们是可以让导演们尽情展示的题材了,因为没有政治的负担和民族的禁忌。从另一方面来说,孩子们是最纯真无暇的,任何一个社会中最美好、真实的一面都会在他们身上折射出来,他们是关于人性最清澈的诠释。就目前这个暴力色情充斥全球的影像化时代来说,儿童片不仅少之又少,且大都也难逃此风潮之影响——惊悚,悬疑,魔幻纷至踏来。而伊朗电影就象这
As the object of cinema performance, in Iran, a traditional Islamic country that has suffered from successive years of war, I am afraid that only children will be able to make the director enjoy the show because there is no political burden and ethnic taboos. On the other hand, children are the most innocent, and the finest and most authentic aspects of any society are reflected in them. They are the clearest interpretations of human nature. For the current era of violent pornography full of images in the world, children’s films are not only few and far between, and most of them can not escape the impact of this wave - thriller, suspense, magical came. Iranian movies are like this