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中国雕塑家林家卫先生所创作的西方人物的肖像作品,通常是东方艺术家们感兴趣和尝试的领域。
创作已故人物的肖像是很困难的。因为在创作中,雕塑家从来就没有足够可供参照的资料,也不可能像创作在世人物时那样,从各个角度去观察和研究人物的头部特征,来进行创作。
林家卫利用资料所创作的作品具有很强的表现力,由此可以看出他训练有素的解剖基础,因而对肖像的骨骼结构把握得很好,作品耐看,给人的感染力很强。
我将就作品中的某些我熟悉的人物给予评论,对我不太熟悉的伦琴、伯恩哈特、莫尔等人,将不予以评论。
一些有胡须的肖像,如马奈、莫奈、雷诺阿和达尔文,这些人物看上去与原型相似,但是对胡须的处理过于雷同。例如:马奈,根据记载,他的胡须和头发通常是修剪得较整齐的。
加缪肖像的嘴部塑造完成得很好,使人想起他那众所周知的少见的嘴部和下腭天生的特征。
我个人的评论:最成功的肖像是狄更斯,与我所知的他的肖像接近,该作品对人物的塑造很传神。
The heads by Lin Jia-wei are an interesting attempt by a Chinese sculptor to make likenesses of Western subjects.
Making posthumous portraits is difficult. The sculptor never has enough information to work from. He does not have the advantage available when working from a live subject of being able to study the head from any angle.
Lin Jia-wei has a strong expressive style of modelling so that his heads have energy and he has an excellent sense of the bony structure of the head.
Some of the subjects are more familiar to me than others. I have no knowledge of how Roentgen, Bernhard, Moore or Repin looked in real life so I can’t comment.
The other bearded heads, Manet, Monet, Renoir and Darwin look a little like their originals but the treatment of their beards is too similar.
Manet, for example, had a neatly trimmed beard and hair.
The portrait of Camus is interesting with the mouth very well modelled and suggests something of his troubled nature.
For me the most successful portrait is the one of Dickens which looks like other portraits I have seen of him and catches his lively spirt.
Anthony Stones FRBS
中国雕塑家林家卫先生所创作的西方人物的肖像作品,通常是东方艺术家们感兴趣和尝试的领域。
创作已故人物的肖像是很困难的。因为在创作中,雕塑家从来就没有足够可供参照的资料,也不可能像创作在世人物时那样,从各个角度去观察和研究人物的头部特征,来进行创作。
林家卫利用资料所创作的作品具有很强的表现力,由此可以看出他训练有素的解剖基础,因而对肖像的骨骼结构把握得很好,作品耐看,给人的感染力很强。
我将就作品中的某些我熟悉的人物给予评论,对我不太熟悉的伦琴、伯恩哈特、莫尔等人,将不予以评论。
一些有胡须的肖像,如马奈、莫奈、雷诺阿和达尔文,这些人物看上去与原型相似,但是对胡须的处理过于雷同。例如:马奈,根据记载,他的胡须和头发通常是修剪得较整齐的。
加缪肖像的嘴部塑造完成得很好,使人想起他那众所周知的少见的嘴部和下腭天生的特征。
我个人的评论:最成功的肖像是狄更斯,与我所知的他的肖像接近,该作品对人物的塑造很传神。
The heads by Lin Jia-wei are an interesting attempt by a Chinese sculptor to make likenesses of Western subjects.
Making posthumous portraits is difficult. The sculptor never has enough information to work from. He does not have the advantage available when working from a live subject of being able to study the head from any angle.
Lin Jia-wei has a strong expressive style of modelling so that his heads have energy and he has an excellent sense of the bony structure of the head.
Some of the subjects are more familiar to me than others. I have no knowledge of how Roentgen, Bernhard, Moore or Repin looked in real life so I can’t comment.
The other bearded heads, Manet, Monet, Renoir and Darwin look a little like their originals but the treatment of their beards is too similar.
Manet, for example, had a neatly trimmed beard and hair.
The portrait of Camus is interesting with the mouth very well modelled and suggests something of his troubled nature.
For me the most successful portrait is the one of Dickens which looks like other portraits I have seen of him and catches his lively spirt.
Anthony Stones FRBS