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论山画山先轮廓而后皴皱,此常法也。至于崎岖荦确,突兀峥嵘,熊罴升降,龙跳虎卧之形,笔必变化奔腾,横飞直下,先于一笔之中,有起伏轻重,定为阴阳,辨其明晦。若但累圆石,列为雁行,此拙笔也。山以石为骨,以土为肤,以草木为衣冠,以云霞为文章。既写峰峦之状矣,再于岭表岩际作秋林杂树,有葱茏滃郁之气,然必审辨其树之远近小大,与山之宜。今作数尺之山,数寸之树,嫌于树高而山低也;则必使山远而树近。
On the mountain after painting mountain profile and wrinkle, this common law also. As for the rugged indeed, towering towering, Xiong Zu rise and fall, tiger jump tiger lying shape, Pen will change Pentium, fly straight down, before the stroke, there are ups and downs, as the yin and yang, to distinguish its illusion. If but tired round stone, listed as geese, this clumsy pen also. Hill to stone, with soil as the skin, with vegetation as the crown, with Yunxia article. Write both the mountain ridges of the state carry on, and then in the Ridge Table Rock for the tress mixed trees, there is lush gruel of the gas, of course, must judge its tree far small, with the mountain should. Now for a few feet of the mountain, the number of trees, too high for the tree and the mountain is also low;